Saturday, June 18, 2005

The Crimson Room
Minos passed this on.. kind of a cross between japanese-anime style graphics and Myst... can you escape ? Some lovely Engrish subtitles.
Warnings:
- This is the kind of thing which rapidly becomes very adictive !
- There is one piece of info you absolutely need, which is not contained within the game directly, I only got it by finding a cheat page.
Clue (slight spoiler but not really): "1994" - this is not a teaser - it will be obvious when you need it.
**Apparently there are different versions of the game out there where this number is different - be aware.

The game is a freebie shockwave app - and seems to have been copied all over the web, here the link Minos sent to me: The Crimson Room.
Here is a solution - for if you give up: Crimson Room Solution.

Friday, June 17, 2005

BBC SPORT - When does it all kick off again?
just when you're enjoying a break from it all - the new footy season's start dates...

Wednesday, June 15, 2005

Redferns Music Picture Gallery: DAVID BOWIE PIN UP
This exhibition is a celebration of an artist with a real understanding for rock’s visual appeal.
Featuring rare and unseen images by an impressive list of legendary photographers: Terry O’Neil, Andrew Kent, Mick Rock, Ian Dickson, Denis O’Regan, David Bebbington, Brian Aris, Ray Stevenson, Michael Putland, Barry Plummer and Kate Simon all contribute to this amazing photographic narrative.

Tuesday, June 14, 2005

PledgeBank - Tell the world "I'll do it, but only if you'll help"
This is another interesting idea from www.mysociety.org/.
"The way it works is simple. You create a pledge which has the basic format 'I'll do something, but only if other people will pledge to do the same thing'."
On Toothache, music and musical heroes...
I have been suffering from a persistent toothache from a wisdom tooth... it's "impacted" see here for an explanation and here's a picture (aaaaarrrrrggghhhh !)


So, whilst waiting to see a dental surgeon at the hospital last Saturday, I was catching up on some reading, including the most recent entries on the ever-readable David Byrne "Online Journal" (don't call it a blog!).

Just imagine my ironic chuckling as I sat in the waiting room reading the following, with toothache, waiting to see a DENTAL SURGEON whilst in the background an eazy-listening-musak cd played chunes from the popular songbook in ver-so-luvverly synth, drum-machine and panpipes arrangements...

NOTE: This is from the entry from June 5
"One can not only hear the music one chooses all the time if one wants, which seems like a good thing, but one can also seek out music from far-flung places, scenes and from times very different than one's own. At least in recorded form it’s more or less all out there.
I find this overwhelming. Probably as a musician I find music either one or the other — completely invisible, inaudible — even sometimes when it’s playing loud — or completely intrusive — impossible to ignore. As a musician there are times when even quiet background music in a bar or restaurant is completely distracting and impossible to ignore. It’s like the effect of having a TV on in room is for most people — it tends to demand attention. All conversation either stops or has to deal with the TV program. Music is like that for musicians.
In this way the easy access to and ubiquity of music is oppressive. It often feels like a passive aggressive assault. I’d pay extra for silence."
Why Geeks and Nerds Are Worth It...
I spotted this a while back - thought it would be good for Louise :-)

Sunday, June 12, 2005

Brian Eno on Song-Writing:
I came across these comments on song writing by Eno..:
'Song-writing is now actually the most difficult challenge in music. It's very easy to make music now but lyrics are really the last very hard problem in music. What I think lyrics have to do is engage a certain part of your brain in a sort of search activity so your brain wants to say 'here are some provocative clues as to what this song might be about'. They don't have to be explicit... in fact for me they certainly shouldn't be explicit'.